Mads Kjeldgaard
Empty Cloud

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The music of Empty Cloud was written and composed specifically to be played in the background in a room, quietly, or at least ideally at a barely audible volume. It’s music that’s just there, plain and simple, and if you forget about it, it’s fine, don’t worry, it will let itself be known when it needs to.
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The large-scale 12-hour structure of the piece is broken down into smaller one-hour cycles with four parts in each of them, each composed of minimalist melodies pacing slowly through time at a sloth-like tempo. With everything constrained to different pentatonic scales (changing between each part of the piece), a certain aimlessness ensures that the direction of the wandering notes is one of no direction at all — circular or maze-like even.

Birds in between clouds in Southern California, 2024. Photo: Mads Kjeldgaard.
Amid long stretches of silence, notes appear almost as if an anomaly. There is a breaking point in these spacings between notes – if the notes come one after the other, they naturally sound as if belonging together. If there is a large space between two such clusters, they will appear as two different melodies. These melodies trace out a shape. Now, this shape is easy to imagine – and we probably do so automatically – when the notes in the melodies are close to one another, but what happens if we stretch them out so that they reach a breaking point where the listener does not have a chance of keeping track of the shape, simply because the time between each event is so large? Does it even matter?
Well, this is what I’ve tried to do in Empty Cloud: Reach that breaking point, stay there for a long time, and see what happens. Maybe nothing happens, and maybe that’s a good thing.
– Mads Kjeldgaard, Taastrup, Denmark, 2025

The physical release of Empty Cloud – a bag of Japanese tea with a download code for all 12 hours of the piece inside.
And a bag of tea
Empty Cloud is released digitally as high quality audio files and streaming, as well as a limited edition physical release in the form of a bag of tea that may help the listener stay sharp throughout the cycle of the music.
This bag of tea may help you, the listener, stay sharp throughout the 12-hour cycle of music that is Empty Cloud. It is a zenbucha (全部茶, meaning “everything tea”) from the Japanese tea farm Kamo Shizen Nōen in Kamo, Kyoto, Japan.

It consists of tea leaves from the farm’s tea plants, as well as the weeds surrounding them. Included in the bag is a download code for all 12 hours of Empty Cloud.
The tea was kindly imported by io. Music released by Exformal Records in 2025.
Release party: 5.30 pm on the 26th of February, 2025 at io in Blågårdsgade, Copenhagen, Denmark.

Zenbucha.
Supported by
About Mads Kjeldgaard
Mads Kjeldgaard is a sound artist and composer from Denmark. His work explores presence and time – at the moment with a particular emphasis on slow music, silence and environmental sounds. He is the founder of the record label Exformal Records and is a member of The Danish Composers’ Society. Kjeldgaard studied Electronic Music Composition at the Danish Institute of Electronic Music (DIEM) at the Royal Academy of Music and has a degree in journalism from the Danish School of Media and Journalism.



Slow waves crash against the shoreline of the Atlantic island of La Gomera.


An audio essay about the so-called quiet zone in the Copenhagen S-train system.
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Sound fishing in the third landscape between the rural and the urban. A collection of field recordings made while searching for something else.


12 hours, 15 minutes and 7 seconds of minimalist background music. And a bag of tea.
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Trancy drums and prepared piano improvisations from two of Copenhagen's finest instrumentalists.
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Slow ambient piano looping with the window open and the outside world seeping in.
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